|
Vyvyn Lazonga |
|
Genres
Americana
Japanese
New Tribalism
Story
I've been a tattoo icon for more than 30 years. I was one of the first female artists in the world who went out on my own and didn't work for a husband or partner; I worked for myself and my art. I broke many boundaries, challenged the tattoo/artistic norm, and continue to create amazing custom body art today.
I have always done art, ever since I could remember, from the age of about 2. Anything I could pick up and draw with I did. I remember once I got in trouble for drawing on all of the furniture and walls with crayons when I was about 3. The tattoo muse struck me in the early l970's after I had seen an article done about tattoos in a men's magazine. The article was on Cliff Raven and his work. At that time there were no tattoo magazines so this venue seemed to be the only happening way for a tattooist to show their work.
I first tattooed on the original "skid road" in Seattle. It was called that because around the turn of the century when they were building the city, they would skid the lumber down the hill to the waterfront where it would be cut and processed for all the new buildings. This became the hub of nightlife for all the sailors during WWI and WWII. My shop is now located in one of the main historical buildings in the Pike Place Market, about 2 blocks from the waterfront. It's also about 2 blocks from where I started out on 1st Ave., skid road in Seattle.
I learned tattooing from one of the old timers, C.J. Danny Danzl, who was a sailor during WWII and retired seaman with Foss Tug Boat Company. When I first heard that someone was opening a tattoo shop in Seattle I immediately ran down there to talk with him to just feel the situation out. I approached him with the idea of me being his "Go For" and helper. He really liked the idea, so that is how it started.
It never occurred to me that you could create works of art on the skin until I had seen Cliff Raven's work. I thought how beautiful it would be to create not only a work of art but to be able to carry a talisman around on your skin until you died. This seemed like a very powerful way to make the ultimate affirmation for yourself.
After serving a 7-year apprenticeship with Danny I struck out on my own and decided to take tattooing off of skid road to a neighborhood called Capital Hill. I had that shop for a few years and then moved around after that and wound up in San Francisco.
Living and working in San Francisco was like going to school in a way. I got more streetwise. I had a shop in the outer Mission for several years and learned to adapt to Hispanic culture. After a couple of years of that I moved to lower Haight Street and started developing a very good clientele base.
I made friends with some of the local tattooists there like Henry Goldfield, Ed Hardy, Bill Salmon, Lyle Tuttle, Erno and Captain Don. It was fun times, especially when Lyle would have some of his parties and all the tattoo groupies would be hanging out outside begging to get in. I met Kurinomo, (Horiyoshi II) when he was still alive at one of Lyle's parties.
It was such a great honor. After the earthquake of '89 I moved back to Seattle. My place was pretty well ruined in the earthquake so I packed up what I could and moved back to Seattle where I knew I could start over very easily. That was when I opened a shop in Pike Place Market and I have been happy here ever since.
I recently changed my business name from Vyvyn's Tattoo to Madame Lazonga's Tattoo, because I had that name for many years early on in my career but had changed it to Vyvyn's for numerological reasons. Now I feel it's time to go back to Madame Lazonga because it sort of conjures up it's own mythological imaginings and it's more playful. I have also recently opened a larger shop in the Market and added some talented artists.
|
|
|
